Why is there a four-dot ellipยญsis in the Star Wars openยญing crawl?
So, hereโs a source of many sleepยญless nights:
Some time ago, in a galaxy not so far away, I noticed a strange four-dot ellipยญsis in the openยญing crawl of Star Wars.
Did someone mess up, and then they just went with four dots?
Or was it intenยญtionยญalโโโif so: then whatโs up with that?
Hereโs the clasยญsic openยญing sequence of Star Wars:
Then, at the end of the openยญing crawl, we see that mysยญterยญiยญous four-dot ellipsis:
Why four dots?!
As a proยญfesยญsionยญal comยญmuยญnicยญatยญor and Swede with interยญnaยญtionยญal cliยญents, I always strive to improve my English.
And, you knowโฆ itโs Star Wars.
I have to know, you know?
The Four Dots in Star Wars
In a movie franยญchise as meticยญuยญlously crafยญted as Star Wars, I couldยญnโt imaยญgine a scenยญario where the creยญatยญors would add a fourth dot by mistake.
And true to form: The four dot ellipยญsis also occurs in all the othยญer Star Wars intros. 1The stanยญdalone preยญquel Star Wars: Rogue One didยญnโt have the clasยญsic tilted intro crawl, but it, too, starts with โA long time ago in a galaxy far, far awayโฆ.โ andโโโvoilร !โโโthe four dots.
Well, almost.
Thereโs one excepยญtion: the openยญing crawl in Star WarsโโโThe Return of the Jedi:
The final paraยญgraph of the openยญing crawl has only three dots.
Now, the four dots canยญโt all be typos, right? And if they arenโtโโโwhat about the three dots in The Return of the Jedi? Well, as in every othยญer Star Wars movie, there is still a four-dot ellipยญsis at the very beginยญning of the movie:
Perplexing.
The Classic Three-Dot Ellipsis
Before diving deepยญer into this mysยญtery, letโs look at how to use the regยญuยญlar three-dot ellipยญsis. It can be used to indicยญate an unfinยญished senยญtence or thought:
โI was going toโฆโ
(Note: Since the three dots are in affinยญity with the phrase, there shouldยญnโt be a space between the last word and the three-dot ellipsis.)
The three-dot ellipยญsis can also be used to sigยญnal that someยญthing, perยญhaps ominยญous, is about to happen:
โBut the story didยญnโt end thereโฆโ
Some style guides sugยญgest that these types of puncยญtuยญation marks should be used with spaces in between them:
โBut the story didยญnโt end there. . .โ
However, using spaces is more of a stylยญistยญic choice, albeit not very pracยญticยญal in todayโs digitยญal age: this could resยญult in unwanted line breaks when using todayโs word processors.
Still, outยญside of litยญerยญary uses, the three-dot ellipยญsis is also used in formยญal texts to indicยญate editยญorยญiยญal omisยญsions. 2Some people use double-spaces as formatยญting tools between senยญtences and first-line indentยญaยญtions, but unless youโre using a typeยญwriter, itโs betยญter to leave typoยญgraphy to the machines..
Original:
โDoctor Spin is a PR blog writยญten and edited by Jerry Silfwer.โ
With editยญorยญiยญal omission:
โDoctor Spin is a PR blog โฆ by Jerry Silfwer.โ
The edited verยญsion still makes it a bit unclear; the only indicยญaยญtion that the ellipยญsis wasยญnโt in the oriยญginยญal text is that it has a space before and after. This is why many style guides recomยญmend using parยญenยญthesยญis for omissions:
โDoctor Spin is a PR blog (โฆ) by Jerry Silfwer.โ
But what if the quoted text already conยญtains these types of omisยญsions? Again, some style guides recomยญmend keepยญing the authorโs omisยญsions with parยญenยญthesยญis (โฆ) and using brackยญets for your omissions [โฆ].
Confusing?
Well, we have left regยญuยญlatยญory terยญrain and entered the land of style.
Personally, whenevยญer I use the three-dot ellipยญsis for omisยญsions, I prefer using brackยญets for maxยญimยญum clarity:
โDoctor Spin is a PR blog [โฆ] by Jerry Silfwer.โ
Not too comยญplicยญated, I think.
So, what about the four-dot ellipยญsis, then?
The Four-Dot Ellipsis Exists!
The four-dot ellipยญsis exists, believe it or not.
Or it sort of exists.
If you use a three-dot ellipยญsis (without parยญenยญtheses or brackยญets) to remove words at the end of the senยญtence, it would theยญorยญetยญicยญally look like this:
โDoctor Spin is a PR blogโฆ . It was launched in 2002.โ
It makes sense, right? Words at the end of the senยญtence have been omitยญted, but it also has to be apparยญent to the readยญer that thereโs puncยญtuยญation before the folยญlowยญing sentence.
However, in use, the space between the first three and the last dot is a probยญlem. Because the dots repยญresยญent omitยญted words where a space wouldยญnโt folยญlow the final omitยญted word.
Hence, thereโs no space:
โDoctor Spin is a PR blog.โฆ It was launched in 2002.โ
Four dots in a row, go figure!
Still, and this is worth menยญtionยญing again, itโs not a โfour dot ellipยญsisโ per se; itโs just a three-dot ellipยญsis folยญlowed by โnorยญmalโ puncยญtuยญation. Or vice versa.
Theoretically, you could also use brackยญets (or parยญenยญtheses) to illusยญtrate the same thing:
โDoctor Spin is a PR blog [โฆ]. It was launched in 2002.โ
In my opinยญion, the brackยญets are much clearยญer. They make it easiยญer for any readยญer to underยญstand whatโs going on.
So what about Star Wars, then?
The Star Wars Ellipsis Mystery
Suppose the four-dot ellipยญsis in Star Wars is intenยญtionยญal, which it must be. In that case, those four dots repยญresยญent a three-dot ellipยญsis, either omitยญting the rest of the senยญtence or foreยญbodยญing someยญthing ominยญous โฆ and regยญuยญlar punctuation:
โA long time ago in a galaxy far, far away [โฆ].โ
Or:
โA long time ago in a galaxy far, far away. [โฆ]โ
From an art dirยญectยญorโs viewยญpoint, using parยญenยญthesยญis or brackยญets would have givยญen each intro an unwanted touch of โacaยญdemia.โ So, the four-dot ellipยญsis intro used in all Star Wars movies is reasยญonยญable. Or, at least, not wrong.
But what about the four-dot ellipยญsis endยญing the openยญing crawl of all regยญuยญlar Star Wars movies? And what about the excepยญtion of Star Wars: The Return of the Jedi?
Unlike the intro texts, all final openยญing crawl senยญtences seem to be fully comยญpleted with no omitยญted words. But they also seem like senยญtences indicยญatยญing that the story now conยญtinยญuesโโโwhich should call for a three-dot ellipยญsis. Or should it?
Well, you and I canยญโt make that decision.
Itโs ultiยญmately the creยญatยญorโs prerogative.
Itโs a ficยญtiยญtious story, and the one who made it up has the final say, periยญod. (Pun intenยญded.) The openยญing crawls could be excerpts from a Star Wars libยญrary in some Jedi temple someยญwhere. We canยญnot know for sure if those texts have conยญtinuยญations or not.
But what about the three-dot ellipยญsis in the openยญing crawl for Star Wars: The Return of the Jedi, then? Why is this ellipยญsis breakยญing the patยญtern in the two preยญviยญous instalยญments, A New Hope and The Empire Strikes Back?
Was that a misยญtake, then?
The creยญatยญors could argue that that senยญtence had no omitยญted words comยญpared to the โoriยญginยญal source.โ And, even though it wasยญnโt the final Star Wars movie, it was, at least at the time, the final chapter of the oriยญginยญal Star Wars trilogy.
Maybe nothยญing more had been โwritยญten downโ in the ficยญtiยญtious Star Wars universe?
Maybe the sagaโs timeline in Star Wars: The Return of the Jedi had, for lack of a betยญter descripยญtion, caught up to the โpresent dayโ?
Did Flash Gordon inspire George Lucas?
According to forยญums and fan sites, George Lucas, the fathยญer of the Star Wars franยญchise, was inspired by the openยญing crawl of Flash Gordon:
We can see how the creยญatยญors of the Flash Gordon openยญing crawl use a four-dot ellipยญsisโโโeven using a space between the final dot and the folยญlowยญing three-dot ellipยญsis, thus indicยญatยญing that the final senยญtence is comยญplete but that there is more text omitยญted from the โoriยญginยญal sourceโ of the text.
Maybe the four dots in Star Wars is a disยญcreet hat tip from George Lucas to Flash Gordon?
I susยญpect that the four-dot ellipยญsis in Star Wars is, first and foreยญmost, an eastยญer egg, a hat-tip from George Lucas to Flash Gordon for stealยญing the idea of using an openยญing crawl to set the scene.
Thank you. Please supยญport my blog by sharยญing artยญicles with othยญer comยญmuยญnicยญaยญtions- and marยญketยญing proยญfesยญsionยญals. Please also conยญsider my PR serยญvices or speakยญing engageยญments.
PR Resource: Storytelling Elements in Star Wars
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Storytelling Elements in Star Wars
I was born in 1979, two years after Star Wars was released, so Star Wars: A New Hope was essenยญtial to my upbringing.
I wanted to apply these clasยญsicยญal eleยญments to a well-known story to see how well they would work. Iโve outยญlined the storytelling eleยญments found in almost all great stories.
Hereโs how I strucยญtured the storytelling eleยญments fir this story:
1. The Contract
At the beginยญning of Star Wars: A New Hope, you see Star Destroyers in space shootยญing lasers and Darth Vader takยญing Princess Leia Organa hostยญage. At the same time, they negoยญtiยญate the whole draยญmatยญic setup before Leiaโs taken to her cell.
2. The Pull
The Empire uses a tractยญor beam, but weโre drawn into the story by two droids, R2-D2 and C3PO. R2-D2 knows someยญthing but can only beep and blip, so C3PO has to ask many quesยญtions and repeat the answers to pull the viewยญer into the story.
3. The Incident
After fightยญing with his foster parยญents, Luke Skywalker runs away from home and gets attacked by Sand People. However, he is then saved by his mysยญterยญiยญous proยญtectยญor, Obi-Wan Kenobi.
4. The Reveal
R2-D2 shows his mesยญsage from Princess Leia, thus openยญing up a whole new world for Luke Skywalker, and then Obi-Wan Kenobi explains about the Jedi.
5. Point of No Return
Luke Skywalker realยญizes his life will nevยญer be the same as he rushes home to find his famยญily butchered. He decides to folยญlow Obi-Wan Kenobi and the droids to save Princess Leia. 3The Incident, The Reveal, and the Point of No Return are often quite close to each othยญer in most narยญratยญives, and they might even be bundled togethยญer in the same scene or sequence. Together, they lead โฆ Continue readยญing
6. Anti-Climax
Together with new comยญpanยญions Han Solo and Chewbacca, Luke Skywalker manยญages to save Princess Leia, but at the same time, Obi-Wan Kenobi is struck down by Darth Vader.
7. All is Lost
As the rebels mobilยญise to strike against the Death Star, they sufยญfer heavy losses against a superยญiยญor milยญitยญary force. But the rebels are picked off indiยญviduยญally, and Luke Skywalker is left with the almost impossible task of blowยญing up the Death Star without a funcยญtionยญing aimยญing system.
8. News of Hope
Luke Skywalker gets surยญprisยญing help from Han Solo, who returns with the might of the Millennium Falconโโโand the rest of the rebel fleet.
9. The Climax
Luke Skywalker comยญpletes his charยญacยญter arc for this movie by sumยญmonยญing the spirยญit of Obi-Wan Kenobi. Using the Force, Luke sucยญceeds in blowยญing up the Death Star and, more importยญantly, takes an importยญant step towards fulยญfilling his desยญtiny to become a true Jedi Knight.
10. The Pay-Off
Team Skywalker get medals, but more importยญantlyโโโtheir comยญpanยญionยญship is forever forged, and theyโre now ready to face the Empire yet again. 4Since the audiยญence has actยญively taken part in the story, shared decisions and experยญiยญenced struggles emoยญtionยญally, they want to be rewarยญded through the main charยญacยญters. They also want to feel that they โฆ Continue readยญing
Learn more: Storytelling Elements in Star Wars: A New Hope
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Annotations
1 | The stanยญdalone preยญquel Star Wars: Rogue One didยญnโt have the clasยญsic tilted intro crawl, but it, too, starts with โA long time ago in a galaxy far, far awayโฆ.โ andโโโvoilร !โโโthe four dots. |
---|---|
2 | Some people use double-spaces as formatยญting tools between senยญtences and first-line indentยญaยญtions, but unless youโre using a typeยญwriter, itโs betยญter to leave typoยญgraphy to the machines. |
3 | The Incident, The Reveal, and the Point of No Return are often quite close to each othยญer in most narยญratยญives, and they might even be bundled togethยญer in the same scene or sequence. Together, they lead up to this: the audiยญence must want Luke to go on this advenยญture before he decides to go. Audience buy-in is crucial. |
4 | Since the audiยญence has actยญively taken part in the story, shared decisions and experยญiยญenced struggles emoยญtionยญally, they want to be rewarยญded through the main charยญacยญters. They also want to feel that they have grown from this story and are now betยญter equipped to face any chalยญlenges in their own lives. |